Affection

Recently, I had the good fortune to be invited to give a two-hour collage workshop for young cancer patients as part of a continuing series for the Arts For Life non-profit. It was at the SECU at Mission Hospital in Asheville, NC. I say “continuing series” because I certainly intend to volunteer again and again.

I had two girl patients, 10 and 12 years old, two mothers, and three young women, who are Arts for Life staff members. I told them that there would be no observers, all had to participate in the workshop.

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They worked side-by-side doing this level of design exercises for the first time, adults and children working at the same level, all doing basic collage, with similar, different, and quite exciting results. They were quiet and intense artists in the moment. Two hours passed quickly, and they were delighted with their results.

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One mother said that this was something that she and her daughter could do together. I told her she was absolutely right, that I didn’t have to be with them! They have all they need — old magazines for the images, scissors, glue sticks, and cardboard working areas. Kitchen table art time, together, between therapy treatments and living life.

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I have great affection for the work I do as an artist. Process is the reward, and passing on to children this affection for making art is the real payoff. That is why when I facilitate workshops for adults, I say leave your children at home; they are better at this than we are!

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Thanks again for visiting me …

leo

P.S. I have an exhibit at the NC Arboretum this summer. It will be up from July 16 through September 17th. The Lego exhibit will also be there.

P.P.S. My series of three workshops continue to attract participants. Stay tuned for the next series schedule.
* * * * * * * UPDATE * * * * * * *
This just in from the June 30 Arts for Life newsletter: http://www.artsforlifenc.org/hitting-the-jackpot-with-leo-the-color-man/ To subscribe to the newsletter, just send an email to info at artsforlifenc[dot]org.

They’re Better at This…

Now and then, I have collage classes in my studio for as many as six adults at a time. When they sign up I tell them, “Don’t bring your children, they’re better at this than you are.”

I’ve given workshops at children’s museums, galleries, schools and in my studios. Clever little devils they are. Their innovative solutions to the tasks I give them are, across the board, better than those done by their parents, who sometimes participate.

The kids have no preconceived ideas or experience with content or visual results. They are not shy about using color or unusual concepts, and they entertain and startle their audience. During the Weaverville Art Safari studio tours I demonstrate paper sculpture principles for anyone curious about this unique medium. These children are the niece and nephew of my neighbors, Thom and Gaye Carmen.

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They get right up close to watch me cut, fold, and bend flat paper into dimensional shapes. They ask a lot of pertinent questions and when I give them the paper object, they react as if I am a magician. I do something for each child who watches me.

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Doctor Fisher and my son, Marco, say that she is either teaching me to dance the Charleston or that I should go to the restroom before I do a demonstration.

One of my former students, Pete Figliozzi, who took my course in basic design and color at CalArts in the ‘90s, moved to Asheville, NC, and found me in an article in the Asheville Citizen Times.

He sought me out, we renewed our friendship and now I give periodic classes for his nine-year-old daughter, Kathryn. She is the most sophisticated, innovative, charming child I have ever had the pleasure to teach. When Pete brings her to the studio she always has the most amazing collages, and a lot of them. These are the results from a nine-year-old.

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Life is fantastic when kids are around.

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Thanks for visiting me …

leo

P.S. Advice to adults: Make sure the kids have plenty of art materials, tell them to make a picture that they have in their mind. And leave them alone to make a mess — and art.