BUTTERFLY BONES

Butterfly Bones

Yesterday I think I saw the last basic-black butterfly of the year, almost soot black, the absence of reflected light from a pigmented surface, no reflected color. Hello, Isaac Newton and the theory that color is light.

A few years ago my big dog Rocks died. As I buried his ashes under a dogwood tree with several other dogs and cats, a black butterfly fluttered by and landed on the fresh mound. It just looked at me and said, “Here I am, hombre.” (California talk).

Black butterflies seem to be around ever since then. I call them all “Rocks” and they don’t mind, but as they do every autumn they have vanished to escape the cold. Rocks and his sister Pebbles, weren’t winter weather dogs; they were lie-about canines from California’s sun without seasons.

Butterflies Escape

This, “Butterflies Escaping Autumn” color wheel, is painted in 12 moderately tinted tones of the Ostwald and Itten color wheel that has been so important in my study and use of color for 55 years. A 12-hue color wheel, with a million or more possibilities.

These are the butterflies that migrate to the sunny climes of the far south, in this image, they leave the autumn leaf symbol in the center. The green dot is the promise of spring and rebirth and y’all come back. Y’hear…

Before The Fall

During a busy, open studio day, a number of women looked at a large (30×40”) paper sculpture of an oak leaf in extravagant autumn colors. There was a small, elegantly patterned butterfly in the composition, and they all said, “Oh, I reeeeeally like that,” or something similar.

I told them that the leaf change was on, and if they went into the forest, they might find butterfly bones among the beautiful leaves. Wide eyed, they said, “Reeeeeally?” and I said, “Noooooooo.” They were so disappointed and said that they wanted to go look for the butterfly bones they were never told about in kindergarten butterfly classes.

Butterfly Bones

Since they all thought it was an interesting idea, I decided to do a series on the bones of insects that die when the leaves change color. Among them were: butterfly bones, dragonfly and mayfly bones, bumblebee bones, small moth bones, firefly bones, and half a dozen others.

Mayfly Bones

There are no such things as insect bones among the autumn leaves. However, that doesn’t mean they don’t exist inside my weird imagination. They’re in there along with a lot of other detritus. The image I show is my idea of mayfly bones among the leaves. I live in my own little world, but that’s ok. They know me there and it’s cheaper than reality.

Dragonfly Bones

Dragonflies are the most dramatic of all the bugs that I portray. Their wing bones stand out among the multi-colored maples and the palette of poplars. Delicate wings that were tough as cargo straps on an 18-wheeler, yet now the wings shatter like Marino glass at the slightest touch.

Firefly Bones

Lightning bugs, (A.K.A. fireflies) are the glamorous glowers that kids love to keep in glass jars until the lights or the game runs out. Fireflies arrive in early spring and endure until the terra firma really starts to cool down. I’ve seen a late loving lothario shine his stuff so late in the game that there wasn’t a female in the bar to watch him.

While I was producing these fragile winged bugs,I realized that no one would know what I was doing. Fortunately, I had met a poet, Richard Cary, and he agreed to do a poem about each one. We had plans to mount a show of “Butterfly Bones”; the poetry and a video of the project. Then the economic downturn happened and it got put on the proverbial back burner. Here’s a poem about lightning bugs, by Richard Cary.

Lightning Bug Bones

We drift about your backyard
traveling to and fro with lanterns

I remember
an amazing night meadow
we were too numerous to believe
I felt alone in outer space
suspended in the winking galaxies.

tonight
you see our lightning bug bones
weave and blink
at some imaginary corner
on some imaginary street
in some imaginary metropolis

we may appear bewildered baffled
as we zig zag through our choices
but we are constant miracles
encircled by loving cosmic laughter

we’re on the way
to nothing more than light
#

Thanks for visiting me…

leo

I’m never satisfied with what I know,
only with what I can find out.

My exhibit is still in its first month at the Grovewood Gallery in Asheville, NC. Click here if you are interested in my collage classes. New classes are being added for January and February.

Butterflies Flee Autumn color wheel $1000….Before The Fall $1650…
Butterfly Bones One $1850…Mayfly Bones $1600…
Dragonfly Bones $2000…Firefly Bones, sold…Butterfly Bones x5 $2500

Butterfly Bones x 5

 

How To Paint an Elephant

Painting a Pachyderm

On a hot, August day in LA, Tom Moody of KNBC, called and asked if I had ever painted an elephant.

“Why, Tom, bless your bones, you can’t hardly skip down Sunset Boulevard without bumping into one of my nicely decorated elephants.”

I’ve painted many a plaid pachyderm and even a heliotrope hippo or two, but rhinos are of a different hue of humor as they have none. I’ll stick with the thick-skinned brutes with big ears if you don’t mind.

Tom said that KNBC had a circus theme for their fall season soiree, circus tent, sideshows, clowns, and an elephant that needed a paint job. The size-large subject of my pachyderm palette would presently be in the parking lot, and he would appreciate it if I would be there with all the technical artist’s stuff, like brushes, paint, and ladder, to give her a creative, LeoTheColorman makeover.

Pachyderm Brush

My friend and fellow beast-painting artist, Wall Batterton and I, painted the big sweetheart, but it wasn’t like painting a big, rough surface because bristly hair pushed back at our brushes and she soaked up paint like a sponge. Not two coats with a roller.

upfront

She was idly swinging her trunk and pushed me down to my hands and knees. I heard the clump of her feet as I, crab-like, crawled away. She wasn’t mean but a paint job, no ups-no extras, wasn’t on her paint bucket list.

other views

She leaned against the ladder a couple of times, causing us to leap off which put her handler into gales of laughter. The final result was rough but Wall, Topsy, and I, had enough for one shift.

Leo with the brush

The following photos and text is from the August 1966, TV Guide magazine.

*********************

How To Paint An Elephant.
It looks simple, but there is a technique to be observed.

  1. Obtain a Pachyderm. This is the most important ingredient of the formula. It should be live, be female, 8 years old, preferably not frisky, weigh about a ton.
  2. Buy some paint. All colors, good bright ones. Must be water-based in order that it may be washed off later.
  3. Get a brush. A good, big, strong, tough brush. Not one of those fancy, small-palette jobs used on the left bank.
  4. Find a large open space. Remove from area all possessions which you do not wish to be paint splattered.
  5. Acquire 6 feet of heavy chain.
  6. Get a sledgehammer.
  7. Find a large, thick iron bar with a loop on the end, to serve as a stake.
  8. Stationing yourself in no. 4, use no. 6 to drive no. 7 firmly into ground.
  9. Chain no. 1 to no. 7.
  10. Start painting every area in sight on the elephant, being prepared for surprise swipes from her swinging trunk. (Hurts.) Her tail, described by one artist as “a hose wrapped in sandpaper,” is also to be avoided.

Anyway, that’s the 10-step method used in Los Angeles by illustrators Leo Monahan (pictured below) and Wally Batterton for station KNBC, which wanted a brightly colored elephant to introduce its fall season to TV advertisers. The result is seen on these pages. The elephant, which fits the description in no.1, is named Topsy.

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If you’re curious about the color wheel, the elephants are tinted to 50% and blended to full intensity at the center. The ears are the color of the adjacent elephant. The color wheel is mounted on black to enhance the colors.

Elephant Pull Toy

The elephant pull toy is the first of a new series of antique toys. The colors are applied with a splatter airbrush technique with contrasting hues of both warm and cool but similar dark and light comparisons (value).

The colored brush is a symbol of the fun I had in a colorful career.

Thanks for visiting me…

Leo

I am never content with what I know,
only with what I can find out.

The Elephant Pull Toy is at the Cut, Bend, Fold, ColorColorColor exhibit. $700.
The Brush at: $200 (Sold)

I am represented by the Grovewood Gallery in the Asheville area.