I Must Leaf You Now

Dear Reader,

I must leaf you now,
Soaring to mold a new life.
Dragonflies lead me.

Fresh October winds carry the leaf, all decked out in its autumn suit of colors, a real show off, an organic dandy, the full range of M&M candy. Autumn is my favorite season and the subject of many paper sculptures since we moved to the mountains of western NC. I’m a leaf picker, a leaf presser and an interpreter of these flamboyant days

Hands picking leaves.

This color wheel is painted in soft tints of the 12 colors in circular arrangement that connects the two ends of the color spectrum. The leaves are painted with a brush and sponge for hue and texture. There is no plan for them. Whatever happens happily happens.

Dragonfly Bones

We had a cold snap and every leaf in the county shivered, looked at their leaf mates and said, “Well, I guess that’s it, time to put on our warm, butterfly colors, get all toned up and flutter into the wind.” Hopefully, dragonflies guide them to the forest floor where they can mingle with the billions of colorful leaves, butterfly, and dragonfly bones.

Down there, among the layers of leaves, the ladybugs search for a warm abode to spend the winter. They fly, but Florida is too far, so Miami is out of the question. They finally cluster in every crook and nanny of our houses.

Ladybug Bones

Geese come flying down our valley in gaggles, and goose groupies gather to watch them bathe in bunches in the ponds, lakes, and rivers. The trees of autumn that line the banks in Indian summer become my paper feathers, painted in fall hues.

Geese in Indian Summer

Indian summer takes me back to the Black Hills, the Sioux, and my boyhood search for arrowheads and the imaginary cache of feathers in a headdress, left behind for me to find, decades later. Ben Black Elk said they wouldn’t be there, but keep looking anyway.

Sioux Autumn

I’ll write about autumn until the first skittle of snow touches the bare trees.

My show opening went very well and the collage workshops begin soon so I have a lot to look forward to. I’m like the ladybugs; I have a warm house, a sheepskin-lined jacket, a neighbor boy to shovel the little bit of snow that falls, and bourbon hot toddies.

“At my age I don’t care about health food. I need all the preservatives I can get. I live in my own little world. But that’s ok, they know me here.”

Thanks for coming to the show and for visiting me . . .

leo

I’m never satisfied with what I know.
Only, with what I can find out.

“Leaf Hands Color Wheel” is available for $1000.
“Dragonfly Bones II” is available for $2000.  SOLD!
“Geese in Indian Summer” is available for $2800.

Both pieces are at my exhibit at the Grovewood Gallery.

My work can be purchased at the Grovewood Gallery on the grounds of the Grove Park Inn in Asheville, NC. Click on the following link if you’re interested in one of my collage workshops.

 

 

 

 

One For the Money, Two For the Show…

Dear Reader,

Several months ago, I was offered a one-man show at the Grovewood Gallery, here in Asheville, NC. I’ve been in a bunch of exhibitions and a number of group and two person shows, but have never before gone solo.

Isn’t that nice, I thought. I should probably look at the space they expect me to fill. I walked around with a casual attitude looking at a lot of large walls, trying to visualize the number of works I had to create in a limited amount of time.

I had six or eight finished pieces in the studio, but I really had no idea of what I was going to do to fill the rest of the space. I spent several days dallying and messing about, searching for inspiration. I finally realized I’d better do a Jack Rabbit start.

Jack Rabbit Color Wheel

These twelve leaping Jack Rabbits are painted in full intensity (pure quality). The twelve colors are Johannes Itten’s Bauhaus color wheel with logical names and the limited number for ease of selection and combination. Not so much a system, but rather a reference device and point of departure for artists.

I use “dancing” as a metaphor for the way I work. I started dancing slowly at first, just to get the rhythm by sketching ideas, cutting and manipulating the papers and a rough approach to color. Last year, I did a series of ten dancers, all with a reason to be dancing alone. The reasons were in scrabble letters at the bottom.

Alone At Night

I do work at night when I get in the flow. Quiet, no phones or visitors and I can concentrate on my dance steps. Cutting, bending, folding, is my rhumba for work.

Nobody Watching

You can’t imagine the false starts, throwing away paper, stumbling through a simple two step, re-cutting and re-painting. I’m glad nobody watches me because a spinning dervish would be a slow dance at this point.

It's Your Problem

Suddenly, I’ve got three months left, and one of those months, or more, is for the framer, and I can’t seem to get anything finished. My problem is time, and my old bugaboo procrastination. There are so many other things I want to do with my time and the gallery assumes I’m doing the paper sculpture Macarena here.

If I've Had A Few

That’s what I need. A couple of doubles should loosen me up. If you’ve ever seen a plastered dancer then you know what a boozy artist is like when he tries to waltz or work. You can’t boogie when you’re buzzed or blitzed.

Times Are Tough

Those days, nights, weeks and months are tough. Life and art are harder as I have aged. Picasso said, “The problem with age, is aging. When you get to an advanced age, you feel like you’re twenty again and want to get a lot of things done.” The way things get done at my age is by dancing with a lot of partners, and now I want to thank them.

My wife, Karen, for her constant support all these years, and my son, Marco, for re-working my website under pressure to incorporate my new work. Nancy Swift, friend and agent, who handles all the details. Sherry Masters, general manager of the Grovewood Gallery, and Karen Kennedy, gallery manager. Frameworks’ wizard, Robert Reitz who creates my beautiful shadow box frames.

And thank you for visiting me, now my dance card is full.

leo

I’m never satisfied with what I know.
Only, with what I can find out.

“Nobody Watching, I Dance” is available for $1000.
“Jack Rabbit Color Wheel” is available for $1000.

My work can be purchased at the Grovewood Gallery on the grounds of the Grove Park Inn in Asheville, NC. Click on the gallery link if you are interested in one of my workshops.

Please plan to attend my three month exhibit at the Grovewood Gallery to help kick off American Craft Week. The opening is one week from tomorrow, Saturday, 4-6 pm.
Music by Bruce Lang, good eats, lively conversation and a paper sculpture demonstration by yours truly.

Medicine Bundle

“Medicine Bundle” is one of four new limited edition, signed, Giclée prints to be offered at the show. $250. Edition of 150.