Back From the Framer…

I take several works to the framer and they seem nearly complete; however, when I get them back from Robert Reitz — in beautifully built shadow boxes — they are finished.

I consider us to be a team. Robert has been finishing my work for ten years.
Our discussions of the proper material usually has me agreeing with his ideas.

Robert says the frame should be appropriate, not obvious, and appear to be part of the complete presentation.

Robert won’t be rushed. He works for perfection, and he works for many of the artists in the mountains of North Carolina. I don’t bug him, he calls when the work can be picked up. Here are four that I recently added to my studio gallery.

Kitchen

Kitchen

Hot Kitchen

Hot Kitchen

Bush Bound

Bush Bound

Left in the Weeds -- SOLD!

Left in the Weeds — SOLD!

Where are the frames? Unfortunately, the framed pieces don’t photograph well because of reflection from the glass. So I guess you’ll just have to come by the studio to see our completed works. Remember the Weaverville Art Safari is Sat. & Sun., May 7th and 8th, and I’ll be open Fri., the 6th.

A writer with a great editor, a dancer with a superior choreographer, a musician with an outstanding conductor, and I, a paper sculptor with Robert Reitz, an extraordinary framer. Couldn’t do without him.

Thanks for visiting with me…

leo

Gallery update: I still have work that is selling at the Grovewood Gallery in Asheville, NC. The big news is that I will now be exhibiting at the NC Arboretum this July through September.

It’s a Wrap…

When I started making bundles they were based on a loose, uneducated, shallow, interpretation of Sioux medicine bundles that were mentioned to me by my Sioux mentor, Ben Black Elk. Everything he said impressed me. I was in my early teens when he lived in Keystone just across the creek from us during the summers and posed for tourists at Mount Rushmore.

I’ve done many bundles since 1985 when I introduced them at the Peppertree Ranch show, in the Santa Ynez Valley, north of my home in Los Angeles. Now they only relate to Medicine Bundles because in the primitive years they were the impetus. I describe them in many ways now, wraps, bunches, assemblies, packages, groupings, batches, collections, accumulations, and sometimes, they’re … well, bundles.

I make inventories of paper sculpture versions of feathers, leaves, horns, weavings, insects, plants, symbols, and many other elements that are cut, manipulated, painted, and put away in pizza boxes for future use. I draw upon these inventories when attempting to assemble something.

These are some of the contents of one of the pizza boxes before brushing off the crumbs and painting.

These are some of the contents of one of the pizza boxes before brushing off the crumbs and painting.

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They become collage in dimension without much attention to content or reality. In Butterfly Bundle, are the wings enormous or is the bundle very tiny on normal size butterfly wings? Who cares, not me. I collage elements because they fit, seem right, make a statement, or complete an idea. And, remember, at my age, it has to be fun or funny…

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I never know how to title a piece of art. In the early 60s I went to a gallery opening on La Cienega Blvd. on a Friday night art walk. Richard Rubens, a great painting instructor at The Chouinard Art Institute was showing, and one of the works was titled, “In back of beyond.” I was so impressed, and don’t think I have ever reached that level of clever obscurity. I have tried. Oh man how I’ve tried. The bundle pictured above is called, “Good Fortune.”

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Maybe I should have titled this, “The Underbelly of Autumn”. Instead it’s called, “Autumn Bundle.” My titles are so prosaic, you would think I’m trying to sell the stuff off of a chain link fence.

White Tail Bundle

White Tail Bundle

Here for your musical enjoyment are a number of badly titled bundles that shall remain title-free in this post. I’ll be your entertainer here for the unforeseeable future and I’ll come back when I can’t stay so long. Don’t forget to tip your waitress. Good evening.

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At this time I want to thank the many friends who save their pizza boxes for me for without them there would be no filing system and more paper all over the place.

Thanks for visiting me …

leo

P.S. My work is at the Grovewood Gallery in Asheville, NC. Also, I will soon have new work in the Asheville Airport Gallery.